вторник, 15 ноября 2011 г.


Edgar Allan Poe (1809 —1849)





"Edgar Allan Poe is dead," read the obituary. "This announcement will startle many, but few will be grieved by it. The poet was known, personally or by reputation, in all this country; he had readers in England, and in several of the states of Continental Europe; but he had few or no friends; and the regrets for his death will be suggested principally by the consideration that in him literary art has lost one of its most brilliant but erratic stars."

That incredibly nasty appraisal ran six days after Poe was found, disheveled and unconscious, in the gutter of a Baltimore street. Poe lived, barely, for four more delirious days before dying of causes still unknown. The obituary was written by his greatest literary rival, a man named Rufus Grismold. Griswold, not content with his handiwork in the obituary, also published a libelous Poe biography full of lies shortly after the poet's untimely death. Add all that to the tall tales that Poe told about himself during his lifetime, and you might begin to understand how Edgar Allan Poe has become, in death, one of the best-loved but least understood writers in American literature.

Poe was a master of the short story and narrative poem. He had a gift for suspense and delightfully twisted plots. But his real gift was his ability to understand that part of our psyche that craves the macabre. He could see into the darkest corners of the human mind. As a man who lived and died in poverty—and as a man whose loved ones perished one by one of consumption (a.k.a.tuberculousis)—it's possible that Poe knew those dark places so well because he had so often been there himself. 

Not that Poe was all serious. He described his stories as "half banter, half satire." He wrote spooky stories in part because he knew they would sell. He sometimes veered into sensationalism for the sake of being sensational, and did so with a winking acknowledgement to readers that he was writing schmaltz on purpose. Though he professed to be in the writing business just for the money, Poe nonetheless changed American literature forever. You don't need to look much farther than today's bestseller lists to see that America still loves a good suspense story. According to Steven King, who knows a thing or two about telling a scary story, he and his colleagues are all "the children of Poe."



ABOUT THE POET AND THE POEM "THE RAVEN':



BEFORE YOU START STUDYING THE POEM "THE RAVEN" READ POE'S ESSAY "THE PHILOSOPHY OF COMPOSITION" AND USE THE STUDY GUIDE.

PHILOSOPHY OF COMPOSITION

Study Guide The Philosophy of Composition Click here

THE RAVEN



LISTEN TO THE POEM "THE RAVEN''



Read the poem "The Raven" (pink booklet pp.76-82) and get ready to discuss it in class. 

The first links  to consider   Study Guide The Raven  &  Explaining the Raven

Also read:

THE RAVEN(1)
THE RAVEN(2)
THE RAVEN(3)
THE RAVEN (4)
THE RAVEN (5)

DISCUSSION QUESTIONS



“The Raven” Edgar Allan Poe -- Reading Comprehension


1. What is the gothic literary genre? What are its characteristics?

 2. What is the setting of this poem? (Time of year and place)
  
3. Whom is the speaker mourning in this poem?
  
4. What is the speaker’s first reaction to the “tapping” at his door?
  
How does it change in the fourth stanza (line 19)?
  
5. What does the speaker discover when he first opens the door?

What does he then discover outside his window lattice?
  
6. What word does the Raven continue to repeat?  Why is this significant?
  
7. With what emotion does the speaker first greet the Raven?
  
8. How does the speaker’s attitude toward the Raven change throughout their encounter?
  
9. Reread lines 85-90. What does the speaker want the Raven to tell him?
  
10. What does the speaker order the Raven to do in the second to last stanza?
  
11. At the end of the poem, what does the speaker mean when he says the Raven “still is sitting” above the door? (Literally and figuratively)
  
12. What does the Raven finally come to represent?
  
13. How are the elements of gothic literature evident in “The Raven”? 


Literary Elements as applied to “The Raven”



SETTING
·                     How did the poem begin?
·                     Where was the speaker?
·                     What types of images did the speaker draw for us?
·                     What time of year was it?
·                     What type of atmosphere did the speaker make us feel?
·                     What type of character was the speaker?
·                     What connection can we make between the setting and the speaker?
TIME
·                     How long did the poem take place? A day, week, etc.?
·                     What reference does the speaker make to the Raven?
·                     What physical objects help to define the time period?
·                     When was Poe's time?
PROTAGONIST
·                     Who is the main character?
·                     What do we know about him?
·                     By the conclusion of the poem, is he a static or dynamic character?
ANTAGONIST
·                     Who is the ‘bad’ character of the poem? Why?
·                     What does it do to the speaker?
·                     By the conclusion of the poem, is he a static or dynamic character?
CONFLICT
·                     Man vs. Nature (symbolism of Raven)
·                     Man vs. Self (power of the mind/imagination)
POINT OF VIEW
·                     Who tells the poem?
CLIMAX
·                     Where does the speaker's imagination take control of his mind?
THEME
·                     If someone is dead, are they dead in all ways?
·                     How do you relate to the story?






суббота, 12 ноября 2011 г.

WILLIAM BLAKE (1757-1827)


BIOGRAHY:
http://www.william-blake.org/biography.html

W.Blake was the first of the great English Romantic poets, as well as a painter and printer and one of the greatest engravers in English history. Largely self-taught, he began writing poetry when he was twelve and was apprenticed to a London engraver at the age of fourteen. His poetry and visual art are inextricably linked. To fully appreciate one you must see it in context with the other.


A rebel all of his life, Blake was once arrested on a trumped up charge of sedition. Of course, he was a complete sympathizer with the forces of revolution, both in America and France. He was a personal friend of Thomas Paine and made the American War of Independence and French Revolution parts of his grand mythology in his America: A Prophecy and Europe: A Prophecy.

Blake is frequently referred to as a mystic, but this is not really accurate. He deliberately wrote in the style of the Hebrew prophets and apocalyptic writers. He envisioned his works as expressions of prophecy, following in the footsteps (or, more precisely strapping on the sandals) of Elijah and Milton. In fact, he clearly believed himself to be the living embodiment of the spirit of Milton.

Most of Blake's paintings (such as "The Ancient of Days" above, the frontispiece to Europe: a Prophecy) are actually prints made from copper plates, which he etched in a method he claimed was revealed to him in a dream. He and his wife colored these prints with water colors. Thus each print is itself a unique work of art.

As an artist Blake broke the ground that would later be cultivated by the Pre-Raphaelites. His work is for the most part done on a very small scale. His illuminated works and engravings are all only inches in size, yet they are meticulous in detail. And each of them is, in a sense, merely a part of a titanic whole.

PICTURES:


LINKS TO DISCUSS POEMS:

THE GARDEN OF LOVE

четверг, 10 ноября 2011 г.


HOW TO ANALYZE A POEM

1. TO BEGIN
Read the poem all the way through at least twice. Read it aloud. Listen to it. Poetry is related to music, so the sound is important. You listen to your favourite CDs many times; the principle is the same. It takes time to fully appreciate and understand a work of art. Make a note of your first impressions or immediate responses, both positive and negative. You may change your mind about the poem later, but these first ideas are worth recording.
2. LITERAL MEANING AND THEME
Before you can understand the poem as a whole, you have to start with an understanding of the individual words. Get a good dictionary. Look up, and write down, the meanings of:
• words you don't know
• words you "sort of know"
• any important words, even if you do know them. Maybe they have more than one meaning (ex. "bar"), or maybe they can function as different parts of speech (ex. "bar" can be a noun or a verb). If the poem was written a long time ago, maybe the history of the word matters, or maybe the meaning of the word has changed over the years ("jet" did not mean an airplane in the 16th century). An etymological dictionary like the Oxford English Dictionary can help you find out more about the history of a particular word.
Use an encyclopaedia or the Internet to look up people and places mentioned in the poem. These allusions may be a key to the poet's attitudes and ideas.
As you pay attention to the literal meanings of the words of the poem, you may see some patterns emerging. These patterns may relate to the diction of the poem: does the poet use "street talk" or slang, formal English, foreign language phrases, or jargon?
Your goal, now that you've understood the literal meanings, is to try to determine the theme of the poem - the purpose the poet has in writing this poem, the idea he wants to express. In order to discover the theme, however, you need to look at the poem as a whole and the ways the different parts of the poem interact.
3. TITLE
Start your search for the theme by looking at the title of the poem. It was probably carefully chosen. What information does it give you? What expectations does it create? (For example, a poem called "The Garden of Love" should cause a different response from the one called "The Poison Tree.") Does the title tell you the subject of the poem (ex. "The Groundhog")? Does the title label the poem as a specific literary type? (ex. "Ode to Melancholy"; "Sonnets at Christmas) If so, you should check what characteristics such forms have and discuss how the poet uses the "rules." Is the title an object or event that becomes a key symbol? (see Language and Imagery)
4. TONE
Next you might consider the tone. Who is peaking? Listen to the voice. ? Is it a man or a woman? Someone young or old? Is any particular race, nationality, religion, etc. suggested? Does the voice sound like the direct voice of the poet speaking to you, expressing thoughts and feelings? Is a separate character being created, someone who is not necessarily like the poet at all (a persona)?
Is the speaker addressing someone in particular? Who or what? Is the poem trying to make a point, win an argument, move someone to action? Or is it just expressing something without requiring an answer (ex. A poem about spring may just want to express joy about the end of winter, or it may attempt to seduce someone, or it may encourage someone to go plough in a field.
What is the speaker's mood? Is the speaker angry, sad, happy, cynical? How do you know?
This is all closely related to the subject of the poem (what is the speaker talking about?) and the theme (why is the speaker talking about this? What is the speaker trying to say about this subject?).
5. STRUCTURE
How is the poem organized? How is it divided up? Are there individual stanzas or numbered sections? What does each section or stanza discuss? How are the sections or stanzas related to each other? (Poems don't usually jump around randomly; the poet probably has some sort of organization in mind, like steps in an argument, movement in time, changes in location or viewpoint, or switches in mood.)
If there are no formal divisions, try breaking down the poem sentence by sentence, or line by line. The poet's thinking process may not be absolutely logical, but there is probably an emotional link between ideas. For example, you might ask a friend to pass mustard for a hotdog and suddenly be reminded of a summer romance and a special picnic. It doesn't look rational from the outside, but it makes emotional sense.
A very controlled structure may tell you a lot about the poet's attitude toward the subject. Is it a very formal topic? Is the poet trying to get a grip on something chaotic? A freer poetic form is also worth examining. What is appropriate or revealing about the lack of structure?
6. SOUND AND RHYTHM
Poetry is rooted in music. You may have learned to scan poetry-to break it into accented/unaccented syllables and feet per line. There are different types of meter, like iambic pentameter, which is a 5-beat line with alternating unaccented and accented syllables. You can use a glossary of literary terms to find a list of the major types of meter.
Not all poems, however, will have a strict meter. What is important is to listen to the rhythm and the way it affects the meaning of the poem. Just like with music, you can tell if a poem is sad or happy if you listen carefully to the rhythm. Also, heavily stressed or repeated words give you a clue to the overall meaning of the poem.
Does the poem use "special effects" to get your attention? Some words take time to pronounce and slow the reader down (ex. "the ploughman homeward plods his weary way" echoes the slow plodding pace). Other words can hurry the reader along (ex. "run the rapids"). If you are unfamiliar with the terms alliteration, assonance and onomatopoeia, you can look them up and see if they apply to your poem-but naming them is less important than experiencing their effect on the work you are examining.
Does your poem rhyme? Is there a definite rhyme scheme (pattern of rhymes)? How does this scheme affect your response to the poem? Is it humorous? Monotonous? Childish like a nursery rhyme? Are there internal rhymes (rhymes within the lines instead of at the ends)? If you read the poem aloud, do you hear the rhymes? (They could be there without being emphasized.) How does the use of rhyme add to the meaning?
Certain poetic forms or structures are supposed to follow specific "rules" of rhyme and meter (ex. sonnets or villanelles). If you are studying a poem of this type, ask yourself if the poet followed the rules or broke them-and why.
Different parts of a poem may have different sounds; different voices may be speaking, for example. There are lots of possibilities. No matter what, though, the sound should enforce the meaning.
7. LANGUAGE AND IMAGERY
Every conclusion you have drawn so far has been based on the language and imagery of the poem. They have to be; that's all you have to go on. A poem is only words, and each has been carefully chosen. You began by making sure you understood the dictionary meanings of these words (their denotative meaning). Now you have to consider their visual and emotional effects, the symbols and figures of speech (the connotative meaning).
Look for the concrete pictures, or images, the poet has drawn. Consider why these particular things have been chosen. If an owl is described, does that set up a mood, or a time of day? If a morning is called "misty", what specific effects does that have? Are certain patterns built up, clusters of words that have similar connotations? For example, descriptions of buds on trees, lambs, and children are all pointing toward a theme involving spring, youth and new birth.
Symbolism is also often used in a poem. A symbol is an event or a physical object (a thing, a person, a place) that represents something non-physical such as an idea, a value, or an emotion. For example, a ring is symbolic of unity and marriage; a budding tree in spring might symbolize life and fertility; a leafless tree in the winter could be a symbol for death.
Poets use techniques and devices like metaphors, similes, personification, symbolism and analogies to compare one thing to another, either quickly and simply ("He was a tiger") or slowly over a stanza or a whole poem .
 Work out the details carefully. Which comparisons are stressed? Are they all positive? How are they connected? A description of birds flying could have any number of meanings. Are the birds fighting against the wind? Soaring over mountains? Circling a carcass? Pay close attention and pick up the clues.
Poems, like music videos and movies, employ a series of images and symbols to build up mood and meaning. You need to take time to feel the mood and think about the meaning. If you have specific problems or poems to consider, come to The Learning Centre, speak to your teacher, or ask at the library for books that will help.
***
Now that you have considered some of the key elements of the poem, it is time to step back and decide what the poem means as a whole. To do this, you need to synthesize (combine) the separate parts of your analysis into one main idea--your idea about what the poet is trying to say in this poem.
What is the poet trying to say? How forcefully does he or she say it and with what feeling? Which lines bring out the meaning of the poem? Does the poet gradually lead up to the meaning of the poem or does he or she state it right at the beginning? The last lines of a poem are usually important as they either emphasize or change the meaning of the poem. Is this so in the poem that you are analyzing?



Step 1: Research

  • Research the author to understand the poem’s context. The period of time the author lived in and the author’s personal experiences often influence their writing.
  • Step 2: Determine the form

    Determine the form of the piece, whether it is a fixed poem that follows a specific structure or written in free verse.
  • TIP

    Look for breaks in the form. Poets break a poem's form to emphasize a word or a line.
  • Step 3: Break down the meter

    Read the poem and break down the meter, or the stressed and unstressed syllables of each line. Notice if stressed words have significance.
  • TIP

    Read the poem several times, and take notes on particular words or phrases that stand out.
  • Step 4: Identify devices of sound

    Identify how the poet uses devices of sound such as rhyme, repetition, assonance, and alliteration.
  • Step 5: Identify devices of sense

    Look for devices of sense, such as figures of speech, metaphors, similes, visuals, and symbolism. Determine the meanings of these devices in the poem.
  • Step 6: Determine speaker

    Determine the speaker of the poem, and the tone of the piece. Notice if the poet is speaking from personal experience or from another point of view.
  • Step 7: Form a thesis

    Form a thesis, or an argument for the meaning of the poem using what you’ve observed.